Salif Keïta cancels SA shows over migrant tension The brief
Salif Keïta Cancels South Africa Shows Over Migrant Tension
Malian music legend Salif Keïta has cancelled his planned commercial performances in South Africa over growing anti-immigrant hostility and reports of violence against African migrants. His decision has brought fresh attention to the tensions in the country and raised questions about safety, unity and cultural relationships across Africa.
The 77-year-old singer, popularly known as the Golden Voice of Africa, announced that he would withdraw from his scheduled performances, including his headline appearance at the Mangaung African Cultural Festival (Macufe) in the Free State province.
In a public statement, Keïta explained that he could not ignore reports of African migrants being attacked. He said his decision was not a rejection of South Africa or its people but a response to the growing hostility towards other Africans living in the country.
The musician also recalled his long-standing relationship with South Africa, including his performance at the 1988 Nelson Mandela birthday concert at Wembley Stadium in London, which supported the anti-apartheid struggle.
Keïta said the treatment of migrants did not reflect the South Africa he remembered. He stressed that people who move to another country in search of work, safety and better opportunities deserve dignity and respect.
His announcement comes amid growing anti-immigration campaigns led by groups such as Operation Dudula and March and March. Demonstrations in different parts of South Africa have been accompanied by reports of intimidation, attacks and violence against foreign nationals.
The cancellation has attracted attention because Macufe is a major cultural event designed to promote African unity and cultural exchange. Keïta's withdrawal therefore goes beyond the loss of a headline performer. It highlights how insecurity and hostility can affect cultural relationships and international entertainment events.
For African musicians, promoters and audiences, the situation raises concerns about whether political and social tensions could limit opportunities for cultural exchange across the continent.
However, Keïta made it clear that he has not permanently closed the door on South Africa. He remains open to returning when conditions improve and music can once again promote understanding and togetherness.
His decision sends a message that cultural celebrations cannot be separated from the safety and dignity of the people they bring together.
Sources
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