AIRPORT DRUMMING BAN SPARKS TALK IN GHANA ‎

‎A decision by the Ghana Airports Company Limited (GACL) to suspend traditional drumming and dancing performances at the country's airport has triggered widespread debate among entertainment personalities, cultural advocates and members of the public.
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‎The decision has raised concerns about the balance between maintaining airport security and preserving Ghana's rich cultural heritage, particularly its reputation for hospitality and traditional celebrations.
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‎The controversy follows an earlier directive issued by GACL on February 10, 2026, warning that cultural activities, including drumming, dancing, singing, chanting and ululations, would not be permitted at airport terminals without prior approval from management.
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‎According to the airport authorities, the restrictions were introduced to address disruptions caused by informal cultural performances at arrival areas. The company explained that such activities could interfere with passenger movement, airport operations and the general orderliness of the terminals.
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‎However, the enforcement of the directive has attracted criticism from some entertainment industry figures who believe the decision could negatively affect Ghana's cultural identity and tourism ambitions.
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‎Speaking during a discussion on UTV's United Showbiz programme on November 8, entertainment critic Arnold Asamoah-Baidoo described the manner in which the suspension was introduced as unprofessional.
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‎Although he acknowledged the authority of airport management to regulate activities within its premises, he argued that cultural groups and commercial partners should have been consulted before the decision was implemented.
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‎He maintained that instead of suspending the performances entirely, management could engage the affected groups and develop practical solutions to address operational concerns.
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‎Meanwhile, media personality Nana Ama supported the restrictions, stressing that passenger comfort, privacy and security should take priority over entertainment activities. She noted that some travellers prefer a peaceful arrival experience without being surrounded by dancing groups and performers.
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‎On the other hand, Baaba Cann expressed concern that stopping cultural welcomes could weaken Ghana's efforts to promote tourism. She compared the traditional performances to New Zealand's Māori welcoming ceremonies, arguing that cultural displays create memorable first impressions for international visitors.
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‎The debate has also highlighted the importance of cultural performances in providing employment opportunities for traditional dancers, drummers and other creative professionals.
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‎As discussions continue, many believe that a compromise is necessary. Airport authorities must maintain safety and operational efficiency while finding ways to preserve Ghana's cultural traditions.
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‎Ultimately, the challenge facing Ghana is how to modernise its aviation facilities without losing the cultural warmth that makes the country attractive to visitors.
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